"Frankly, I got into the movies because I like the movies a lot"
About this Quote
Nicholson’s blunt confession strips away the self-mythologizing often attached to Hollywood careers. "Frankly" signals a desire to puncture pretense: he was not chasing prestige or immortality, he was chasing delight. To say he liked the movies a lot is to identify first as a spectator, a fan, and only then as a star. That shift of emphasis matters with someone whose image became a symbol of New Hollywood swagger. The gambler’s grin, the arched eyebrow, the aura of danger from Chinatown to The Shining can make it easy to read every move as calculated legend-building. He insists it began with watching and wanting to be around the light.
Long before the Oscars and tabloid mythology, he took any work Roger Corman could offer, acted in scrappy B pictures, and wrote scripts to stay close to sets. He nearly quit acting to focus on writing until Easy Rider gave him a jolt of recognition. Love, not strategy, sustains a person through a decade of small roles, bad pay, and endless waiting. That affection for the medium also explains his appetite for variety: antiheroes and romantic comedy, noir and horror, intimate character studies and muscular genre pieces, collaborations with directors as different as Hal Ashby, Roman Polanski, Stanley Kubrick, Milos Forman, and Michelangelo Antonioni. The throughline is curiosity about what movies can do.
There is a democratic charm to the statement as well. He places himself on the same side of the screen as the audience, not above it. To like the movies a lot is to remember communal pleasures, the dark theater, the shock of a great cut or a line that stings. Coming from an actor whose persona could overwhelm the frame, the humility reads as a kind of craft ethic: stay a fan, and the work stays alive.
Long before the Oscars and tabloid mythology, he took any work Roger Corman could offer, acted in scrappy B pictures, and wrote scripts to stay close to sets. He nearly quit acting to focus on writing until Easy Rider gave him a jolt of recognition. Love, not strategy, sustains a person through a decade of small roles, bad pay, and endless waiting. That affection for the medium also explains his appetite for variety: antiheroes and romantic comedy, noir and horror, intimate character studies and muscular genre pieces, collaborations with directors as different as Hal Ashby, Roman Polanski, Stanley Kubrick, Milos Forman, and Michelangelo Antonioni. The throughline is curiosity about what movies can do.
There is a democratic charm to the statement as well. He places himself on the same side of the screen as the audience, not above it. To like the movies a lot is to remember communal pleasures, the dark theater, the shock of a great cut or a line that stings. Coming from an actor whose persona could overwhelm the frame, the humility reads as a kind of craft ethic: stay a fan, and the work stays alive.
Quote Details
| Topic | Movie |
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