"I was always attracted to science fiction movies"

A lifelong pull toward science fiction suggests a temperament tuned to imagination, risk, and reinvention, the very qualities that define Tina Turner’s career. Science fiction invites audiences to step beyond the known and build new worlds out of audacity and yearning. That impulse mirrors an artist who repeatedly refused the boundaries imposed on her, not only by the music industry but by biography, culture, and expectation. Attraction to futuristic storytelling signals comfort with the unknown and eagerness to test limits, an ethos audible in her relentless drive, volcanic stagecraft, and appetite for transformation.

The affinity also reflects narrative kinship. Science fiction often centers on survival within hostile systems, the remaking of identity, and the fight to seize agency, arcs that echo her journey from hardship to sovereignty. Her turn as Aunty Entity in Mad Max Beyond Thunderdome wasn’t a detour but an extension of her mythmaking: a commanding leader in a perilous future, armoring vulnerability with vision. Even the anthemic “We Don’t Need Another Hero” frames liberation as a future to be imagined and built, aligning with the genre’s belief that better worlds are engineered by courage.

Aesthetic threads run just as deep. The genre’s metallic sheen, bold silhouettes, and kinetic spectacle resonate with her stage persona: sculptural costumes, gleaming textures, and lighting that turned concerts into high-voltage environments. The 1980s’ synth-forward soundscape dovetailed with her revitalized sonic palette, fusing grit and gloss, human fire powered by modern machinery. For a Black woman to stride into futuristic narratives with authority also brushes against Afrofuturist currents, where envisioning tomorrow becomes an act of cultural reclamation.

At its core, the draw to science fiction is a declaration of faith in possibility. It champions the idea that identity is not a prison but a project, that tomorrow can be wrestled into shape. That conviction animates her music, her performances, and her legend: the future isn’t something to wait for, it’s something to stage, sing, and rule.