"From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything"

Richard Foreman's quote uses a window into the formative years of an imaginative mind immersed in the lively cultural material of New York City. Referred to as a pioneering figure in avant-garde theater, Foreman's reflection on his early twenties captures a time of intense artistic exploration and exposure. The expression "From that time through the time I was a New Dramatist" presumably refers to a period marked by significant personal and professional growth. Being a "New Dramatist" normally implies involvement with a neighborhood or organization dedicated to supporting emerging playwrights, suggesting that Foreman was entrenched in a scene that motivated innovation and experimentation.

The repeating of "definitely whatever" emphasizes the breadth and intensity of his experiences. It suggests a starved appetite for engagement with the city's cultural offerings-- likely consisting of theater, art galleries, efficiencies, and maybe unconventional or underground scenes. For somebody like Foreman, whose work is identified by a blending of intellectual inquiry with sensory experiences, being exposed to "whatever" meant absorbing varied influences that would later on be distilled into his special style.

New York City City, particularly during Foreman's early years, was a hub for creative revolution, housing myriad motions and figures at the leading edge of modification. This period would have been essential in shaping his perspective, offering both motivation and a criteria against which to define his own voice. His statement reflects not just physical attendance or passive observation however recommends an active, practically pressing engagement with the cultural life of the city.

Hence, the quote highlights the significance of immersion and experience for artists. It offers us insight into how Foreman's expansive exposure in New York was instrumental in his evolution as a dramatist, contributing to the advancement of his innovative methods in theater that obstacle and provoke audiences worldwide. Through persistent observation and involvement, Foreman had the ability to take in a world of concepts, ultimately redefining the limits of theatrical expression.