"Gaiety is a quality of ordinary men. Genius always presupposes some disorder in the machine"
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Gaiety, for Diderot, is less a mood than a social lubricant: the clean-running hum of people well adjusted to the everyday. Calling it a "quality of ordinary men" isn’t simple snobbery; it’s a provocation aimed at Enlightenment faith in rational balance. In the 18th century, the enlightened subject was supposed to be legible, moderated, in control. Diderot - who spent his career editing, arguing, revising the world into coherence - knows how much violence that coherence requires. So he flips the piety: the cheerful, well-functioning person may actually be the one least pressured to notice the system’s cracks.
The second sentence is the real knife. "Genius always presupposes some disorder in the machine" borrows the era’s favorite metaphor - the human as mechanism - then smuggles in sabotage. Genius isn’t presented as divine sparkle but as malfunction: an asymmetry, a noise in the gears, a refusal of smooth operation. It’s also a self-portrait of the intellectual under censorship and patronage. When institutions demand compliance, insight often arrives as irritation, obsession, melancholy, compulsion - states that read like defects until they produce new thought.
The subtext is political as much as psychological: a society that prizes "gaiety" may be optimizing for quiet citizens, not perceptive ones. Diderot makes genius sound expensive, not glamorous. He turns the romantic myth on its head: brilliance isn’t a reward for harmony; it’s what leaks out when the mind can’t quite be domesticated.
The second sentence is the real knife. "Genius always presupposes some disorder in the machine" borrows the era’s favorite metaphor - the human as mechanism - then smuggles in sabotage. Genius isn’t presented as divine sparkle but as malfunction: an asymmetry, a noise in the gears, a refusal of smooth operation. It’s also a self-portrait of the intellectual under censorship and patronage. When institutions demand compliance, insight often arrives as irritation, obsession, melancholy, compulsion - states that read like defects until they produce new thought.
The subtext is political as much as psychological: a society that prizes "gaiety" may be optimizing for quiet citizens, not perceptive ones. Diderot makes genius sound expensive, not glamorous. He turns the romantic myth on its head: brilliance isn’t a reward for harmony; it’s what leaks out when the mind can’t quite be domesticated.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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