"'Handsome' means many things to many people. If people consider me handsome, I feel flattered - and have my parents to thank for it. Realistically, it doesn't hurt to be good-looking, especially in this business"

Beauty here is treated as a fluid, negotiated idea rather than a fixed standard. By noting that “handsome” means different things to different people, the speaker rejects a universal metric of attractiveness and gestures to culture, context, and personal taste as the arbiters of what looks appealing. That stance resists the tyranny of a single ideal and opens space for plural, shifting definitions of beauty.

There’s also humility and realism. Feeling flattered situates attractiveness as something bestowed by others, not self-proclaimed. Thanking his parents underscores the role of inheritance and luck; good looks are framed less as an achievement than as a gift. That acknowledgment curbs vanity and reminds us how much of what gets rewarded in public life depends on factors outside deliberate effort.

The final acknowledgment is pragmatic: appearance confers advantages, especially in an image-driven industry like film and television. The camera favors certain faces; marketing relies on visual allure; first impressions can open doors before talent gets a hearing. Naming this isn’t cynicism, it’s an honest audit of how opportunity is distributed. Yet folded into this realism is a cautionary note. If looks help, they can also distract, typecast, or fade. The suggestion is that appearance is leverage, not legacy; it may launch a career, but craft sustains it.

Together these ideas sketch an ethic: accept that beauty is subjective, appreciate it when others see it in you, recognize the luck involved, and remain clear-eyed about the advantages and limits it brings. The perspective neither glorifies looks nor pretends they don’t matter. It balances gratitude with responsibility, encouraging a focus on the work itself while being honest about the currents that carry some people farther and faster in a business built on faces.