"He wanted to be a lawyer, couldn't afford it, so he started dealing to go to college - good intention"
About this Quote
Leguizamo lands the joke in the gap between “good intention” and the system that makes that intention almost irrelevant. The line moves fast: aspiration (lawyer), barrier (couldn’t afford it), workaround (dealing), moral varnish (“good intention”). Comedy-wise, it’s a tight escalation where each clause flips the audience’s expectations: the dream is respectable, the obstacle is mundane and structural, the solution is criminal, the justification is strangely sincere. That last tag is the blade. It’s not there to absolve; it’s there to expose how easily we’re trained to sort people into “good kids” and “bad kids” without asking what the price of being “good” is.
The subtext is about an economy of legitimacy. College is framed as the sanctioned path upward, yet it’s gated by cash. So the character does what the culture quietly praises in other contexts: hustle, risk, entrepreneurship. The punchline is that we celebrate the grind until it’s illegal, then we retroactively declare the grinder immoral. “Good intention” becomes both a plea and a parody of the narratives we demand from marginalized people: explain yourself, prove you wanted the right things, translate survival into a palatable origin story.
In the broader context of Leguizamo’s work, it fits his recurring interest in how race, class, and opportunity collide in everyday life. He’s not romanticizing crime; he’s satirizing the thin moral line drawn by tuition bills and the hypocrisy of a country that sells education as salvation while pricing it like a luxury good.
The subtext is about an economy of legitimacy. College is framed as the sanctioned path upward, yet it’s gated by cash. So the character does what the culture quietly praises in other contexts: hustle, risk, entrepreneurship. The punchline is that we celebrate the grind until it’s illegal, then we retroactively declare the grinder immoral. “Good intention” becomes both a plea and a parody of the narratives we demand from marginalized people: explain yourself, prove you wanted the right things, translate survival into a palatable origin story.
In the broader context of Leguizamo’s work, it fits his recurring interest in how race, class, and opportunity collide in everyday life. He’s not romanticizing crime; he’s satirizing the thin moral line drawn by tuition bills and the hypocrisy of a country that sells education as salvation while pricing it like a luxury good.
Quote Details
| Topic | Ethics & Morality |
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