"He was very much concerned with logic and function, he always worked his solos out before playing them"
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The quote by Jamie Muir, "He was quite concerned with logic and function, he constantly worked his solos out before playing them", reflects a methodical and structured approach to imagination, particularly in the world of music. The person being explained here prioritizes a purposeful and calculated preparation over spontaneous improvisation. This recommends a belief in the power of preparation and preparing to achieve creative expression.
By being "concerned with logic and function", the individual likely values clearness, coherence, and purposefulness in their work. Logic in music could refer to the mathematical relationships between notes, consistencies, and rhythms. A function in this context might suggest an understanding of how different parts of a musical piece serve various functions, such as constructing stress, providing resolution, or directing emotional actions. This shows an awareness of the technical and emotional dimensions of music, intending to balance and integrate them into a cohesive whole.
The expression "worked his solos out before playing them" recommends that the artist pre-composes or carefully prepares elements of their improvisations instead of relying exclusively on in-the-moment motivation. This precise preparation may include figuring out the scale, key changes, or perhaps specific melodic lines ahead of time. The intention is to take full advantage of the solo's impact, sticking to a pre-determined musical story or emotional arc.
This method contrasts with a more instinctive or extemporaneous design where musicians may focus on spontaneity and the raw, unfiltered expression of feelings. Some may argue that pre-planned solos lack the freshness and vibrancy of on-the-spot improvisations. Nevertheless, others could state that such groundwork allows for depth and intricacy that spontaneous development might miss out on.
Ultimately, Muir's quote clarifies a disciplined artistic philosophy that views imagination as a structured practice. It highlights the dedication and forethought associated with creating music that is both technically skilled and emotionally resonant.
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