"However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned"

Helen Dunmore's quote highlights an extensive understanding of the craft of composing, emphasizing that the essence of storytelling goes beyond the temporal background in which a narrative is placed. By mentioning that the problems and satisfaction of writing are comparable regardless of a novel's historic or contemporary setting, Dunmore suggests that the core difficulties and joys of composing lie in the act of development itself, rather than solely in the context that frames the story.

To start with, this point of view underscores the universality and timelessness of storytelling. Whether a story is set amidst the detailed society of Elizabethan England or the dynamic mayhem of modern-day New York, the fundamental components that constitute a compelling story-- character development, plot structure, thematic depth, and psychological resonance-- remain unchanged. The author must always participate in the intricate dance of weaving together these components to create a story that captivates and moves the reader.

Additionally, this perspective reflects the individual engagement and emotional investment that writing demands from an author. The "troubles" might describe the intellectual and emotional labor involved in crafting genuine characters, constructing credible worlds, and articulating themes that can speak universally to human experiences and concerns. On the other hand, the "satisfaction" might point to the fulfillment and happiness found in the creative process itself, as the writer breathes life into new worlds and offers voice to varied characters regardless of the era they live in.

Moreover, by saying "as far as I'm worried", Dunmore personalizes her declaration, acknowledging that her technique may not be universal amongst all writers. This individual caveat suggests that each author brings their unique perspective and methods to the craft, and what is true for one may vary for another based on private experiences and inclinations.

In essence, Helen Dunmore's insight functions as a suggestion that the heart of composing is discovered not in the temporal setting, but in the universal experience of crafting stories that resonate on a human level, producing connections across time and space.