"I admire David Lynch so much, and I think he made some bad decisions with Lost Highway"

The quote by Greg Egan exposes a nuanced appreciation and critique of the distinguished filmmaker David Lynch. Egan begins by expressing appreciation for Lynch, which sets a tone of regard and recommendation for Lynch's wider body of work. It's essential to note that David Lynch is commemorated for his surreal, frequently enigmatic storytelling, with films like "Blue Velvet", "Mulholland Drive", and the television series "Twin Peaks" solidifying his track record as a master of the special, nonlinear narrative.

Egan's mention of Lynch's "bad decisions with Lost Highway" shows a subjective critique, suggesting that in spite of his admiration, he believes Lynch may have faltered with this specific job. "Lost Highway" is known for its complex, dreamlike structure, which diverges from standard storytelling approaches, typically triggering polarized responses amongst audiences and critics alike. Egan's use of the term "bad choices" shows he thinks particular options-- whether they be narrative, stylistic, or thematic-- did not resonate as effectively in "Lost Highway" as they performed in Lynch's other works.

This analysis highlights a common relationship between audience and artist, where adoration does not remove room for critique. It highlights how an artist's unique method can sometimes lead to detach for some viewers. Egan's statement also underscores the effect of expectations: given Lynch's well known status, deviations that may agitate or confuse are scrutinized more greatly.

In the larger context, the quote invites reflection on the nature of artistic craftsmanship and the balance in between development and coherence. It stresses how subjectivity in art permits area for dispute and conversation, even amongst admirers. Ultimately, Egan's words resonate beyond Lynch or "Lost Highway", opening more comprehensive factors to consider on how one navigates individual taste, expectation, and the challenge of keeping innovative stability against public reception.