"I admit to wasting my life messing around with fast cars and motorcycles"
About this Quote
It reads like a confession, but it lands as a boast with the decency of a wink. Brock Yates frames his lifelong devotion to speed as "wasting my life", borrowing the moral vocabulary of responsibility and self-improvement only to undercut it with pleasure. The verb phrase "messing around" is the tell: it shrinks expertise, risk, and obsession into the language of a kid in a garage. That deflation is strategic. It disarms critics who would label car culture juvenile or reckless, while signaling to insiders that he knows exactly how serious the game is.
Yates came up as the sort of editor who could turn enthusiasm into authority. As a longtime voice at Car and Driver and the instigator of the Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash, he helped make automotive obsession feel like cultural reportage rather than hobbyism. The quote catches the late-20th-century American contradiction he trafficked in: cars as freedom myth, cars as status theater, cars as lethal machines you love anyway.
The subtext is less repentance than a refusal to apologize for a life built on sensation, craft, and transgression. "Fast cars and motorcycles" aren’t props; they're shorthand for a particular masculine romance with risk and competence, the idea that mastery is earned at the edge of control. Calling it "wasting" acknowledges the cost - time, danger, maybe a narrowed world - while insisting that the so-called waste is where the living happened.
Yates came up as the sort of editor who could turn enthusiasm into authority. As a longtime voice at Car and Driver and the instigator of the Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash, he helped make automotive obsession feel like cultural reportage rather than hobbyism. The quote catches the late-20th-century American contradiction he trafficked in: cars as freedom myth, cars as status theater, cars as lethal machines you love anyway.
The subtext is less repentance than a refusal to apologize for a life built on sensation, craft, and transgression. "Fast cars and motorcycles" aren’t props; they're shorthand for a particular masculine romance with risk and competence, the idea that mastery is earned at the edge of control. Calling it "wasting" acknowledges the cost - time, danger, maybe a narrowed world - while insisting that the so-called waste is where the living happened.
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