"I always thought models had to fit a certain mould. I never thought I had what it takes. I'm too small and my look's pretty weird"
About this Quote
Devon Aoki’s line lands like a quiet rebuke to an industry that sells “difference” while enforcing sameness. The first sentence admits how thoroughly fashion trains even its future winners to internalize the rules: models must “fit a certain mould.” That word choice matters. A mold isn’t a preference, it’s a cast - a tool designed to reproduce identical shapes at scale. She’s not just describing insecurity; she’s naming a manufacturing process.
Then she pivots to the intimate cost of that system: “I never thought I had what it takes.” The subtext is less about talent than permission. In modeling, “what it takes” often isn’t skill but the right measurements, the right angles, the right kind of legibility for a camera and a client. Aoki’s “too small” is a direct collision with the late-’90s/early-2000s runway ideal, when height operated like an entry visa.
The last clause - “my look’s pretty weird” - is where the quote becomes culturally sharp. “Weird” is the label gatekeepers use before it gets rebranded as “edgy,” “fresh,” or “high fashion.” Aoki’s career is the punchline: her supposedly disqualifying traits became the very commodity. The intent feels protective, almost preemptive, like she’s speaking to anyone watching from the outside who assumes confidence is a prerequisite. It’s also a reminder that the industry’s “breakthroughs” are often retroactive: it calls you strange until it can profitably call you singular.
Then she pivots to the intimate cost of that system: “I never thought I had what it takes.” The subtext is less about talent than permission. In modeling, “what it takes” often isn’t skill but the right measurements, the right angles, the right kind of legibility for a camera and a client. Aoki’s “too small” is a direct collision with the late-’90s/early-2000s runway ideal, when height operated like an entry visa.
The last clause - “my look’s pretty weird” - is where the quote becomes culturally sharp. “Weird” is the label gatekeepers use before it gets rebranded as “edgy,” “fresh,” or “high fashion.” Aoki’s career is the punchline: her supposedly disqualifying traits became the very commodity. The intent feels protective, almost preemptive, like she’s speaking to anyone watching from the outside who assumes confidence is a prerequisite. It’s also a reminder that the industry’s “breakthroughs” are often retroactive: it calls you strange until it can profitably call you singular.
Quote Details
| Topic | Confidence |
|---|---|
| Source | Help us find the source |
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