"I am composing like a god, as if it simply had to be done as it has been done"

Franz Schubert's quote, "I am making up like a god, as if it just needed to be done as it has actually been done", encapsulates a profound minute of creative transcendence and inspiration. Schubert, one of the most prolific and revered composers of the early 19th century, is known for his ability to easily direct his imagination into structures that feel both inevitable and divinely motivated.

The expression "making up like a god" recommends a state of imaginative flow and mastery. In this context, Schubert compares his compositional procedure to a magnificent act, one that transcends regular human effort. This shows a minute where motivation streams so naturally and powerfully that the artist feels like a mere vessel for a greater innovative power. It's an experience many artists explain when they feel entirely lined up with their craft, where the boundaries in between developer and creation blur.

When Schubert states "as if it simply needed to be done as it has been done", he shows the phenomenon of inevitability in art. His structures, like lots of excellent works, have a timeless quality that feels predestined. Each note, chord, and development appears to fall into place with a simple and easy accuracy. This inevitability is not just the outcome of careful strategy or knowledge but a mystical positioning in between the artist, the medium, and deep space. It recommends that the structure existed in some form before it was ever documented-- a preordained work waiting to be recognized.

Moreover, this quote can be analyzed as a reflection of Schubert's profound commitment to his art. During his short life, his authentic enthusiasm and special voice specified his compositions. In spite of individual battles and restricted acknowledgment during his life time, Schubert's sense of artistic task as revealed in this quote highlights the real essence of imagination: an obsession to produce, driven by an alluring inner force. It is a testimony to the strange and powerful nature of art, where the act of production becomes a spiritual, practically divine, pursuit.