"I am not a politician... I only suffer the consequences"
About this Quote
A politician gets to narrate the story; everyone else gets stuck living with the plot twists. Peter Tosh’s line is a blunt refusal of a label and an even blunter claim to reality: politics isn’t a career category, it’s the weather system ordinary people walk through. In Jamaica’s 1970s and early 80s, that weather included partisan violence, economic squeeze, and the heavy hand of the state. Tosh isn’t offering a clever paradox so much as a lived indictment: decisions are made up high, and the bill arrives at street level.
The ellipsis does the work of a side-eye. “I am not a politician…” sounds like a modest disclaimer, but it’s really a trapdoor into accusation. If he’s not a politician, why is politics on his skin? Because power doesn’t ask permission before it intrudes. That’s the subtext: neutrality is a luxury; “nonpolitical” is often just code for “protected.”
Coming from a reggae artist - a figure constantly told to entertain, not agitate - the line also doubles as a defense of speaking out. Tosh frames his critique as self-preservation, not ideology. He’s not chasing office, influence, or patronage; he’s reacting to the material consequences of policy, policing, and inequality. It’s an artist’s version of democratic realism: you can opt out of the game, but the game doesn’t opt out of you.
The ellipsis does the work of a side-eye. “I am not a politician…” sounds like a modest disclaimer, but it’s really a trapdoor into accusation. If he’s not a politician, why is politics on his skin? Because power doesn’t ask permission before it intrudes. That’s the subtext: neutrality is a luxury; “nonpolitical” is often just code for “protected.”
Coming from a reggae artist - a figure constantly told to entertain, not agitate - the line also doubles as a defense of speaking out. Tosh frames his critique as self-preservation, not ideology. He’s not chasing office, influence, or patronage; he’s reacting to the material consequences of policy, policing, and inequality. It’s an artist’s version of democratic realism: you can opt out of the game, but the game doesn’t opt out of you.
Quote Details
| Topic | Justice |
|---|---|
| Source | Help us find the source |
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