"I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick"

In this quote, John Hurt expresses suspicion towards the comprehensive usage of research as the supreme methods to get ready for an acting function. He communicates a degree of doubt about the necessity and authenticity of such immersive preparation methods, especially when actors spend excessive amounts of time in environments or situations that simulate a character's situations, such as remaining in a clinic to depict a sick person.

Hurt's perspective highlights a wider dispute in the acting community about the balance between method performing-- where actors deeply immerse themselves into their functions, typically changing their own lives momentarily-- and more conventional approaches that rely on a star's creativity and skill to bring a character to life. By specifying, "I am not a massive believer in research study being the be-all and end-all", Hurt suggests that extreme focus on research study may eclipse the core of acting, which is to artistically analyze and represent human experiences. He implies that while research study can be valuable, it is not the sole path to an engaging efficiency.

Additionally, Hurt seems to question the credibility and usefulness of such extreme approaches. The expression "I get suspicious" indicates an issue that such practices can end up being more about self-indulgence or a theatrical stunt than real character development. This perspective advocates for a balance where an actor's analysis of a function is not entirely dependent on external validation or experiences but also on artistic intuition and imagination.

In highlighting these points, Hurt indirectly champions the concept that acting is eventually about storytelling through one's own artistic lens rather than replicating life too actually. By preserving this stance, he underscores the importance of rely on one's impulses and abilities to communicate the essence of a character, counting on personal insight and emotional reality instead of solely on empirical research study.