"I am perfectly happy to believe that nobody likes us but the public"

Rudolf Bing's quote, "I am perfectly happy to believe that nobody likes us but the general public", can be interpreted as a reflection on the frequently complicated and adversarial relationships in between those in the arts, such as opera business or creative institutions, and different stakeholders like critics, fellow professionals, or internal groups. Bing, who was a prominent opera impresario, most likely experienced varying viewpoints and criticisms throughout his profession from within the industry and maybe from areas of the media.

The phrase recommends a particular ambivalence or acceptance towards a lack of popularity or approval from his peers or experts within the artistic community. Bing's mention that he is "completely delighted" indicates a sense of satisfaction or perhaps pride in the circumstance, suggesting that the endorsement of the public carries more weight for him than that from critics or coworkers. It highlights an understanding that the ultimate customer of their artistic output is the general public, and their appreciation is the most considerable step of success.

Furthermore, the quote can be seen as an acknowledgment of the sometimes insular and competitive nature of artistic circles, where professional envy or divergent artistic viewpoints can cause an absence of friendship or support. By highlighting the public's favorable opinion, Bing possibly underscores the equalizing element of art-- where the diverse, more comprehensive audience's response is critical over the potentially narrower, more subjective viewpoints of an internal group.

This perspective champs the idea that art's impact is determined by its capability to resonate and get in touch with daily people, rather than simply impressing or getting the approval of gatekeepers or experts within the field. Bing's statement lines up with the concept that public appeal can vindicate and validate a creative venture, regardless of vital or intra-industry reception. In essence, Bing celebrates the affirmation that comes from the audience, spotlighting their function as the real arbiters of artistic success.