"I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part"

Marisa Tomei's quote reveals much about her creative choices and her technique to acting. By stating, "I am really not of the school of naturalism", Tomei distinguishes her creative inclinations from the naturalistic style, which looks for to replicate real life with credibility and subtlety. Naturalism in theater and film focuses on, as much as possible, making the performance look like a smooth reflection of daily life, where stars exert effort to make their representations believable and without overt dramatics. Nevertheless, Tomei positions herself outside this school, showing a preference for a more elegant method.

When she says, "I like style", she implies an appreciation for more meaningful or overstated forms of storytelling. Style in acting can include an increased sense of expression, whether through movements, dialogue delivery, or the overall mise-en-scène. It's an opportunity to check out characters in a manner that isn't strictly bound by the constraints of realism, permitting innovative liberty. This liberty can enhance the thematic components of a play or film, frequently making them more impressionistic or symbolic rather than direct mirrors of reality.

Tomei's choice for theatrical roles likely originates from theater's intrinsic allowance for stylistic expedition. Theater typically supplies a platform for more overstated expressions of storytelling compared to film, which typically requires subtlety due to the medium's close-up shots and require for continuity. Her fondness for theater recommends that she grows on this latitude, carrying imagination into roles that permit a strong and dynamic portrayal.

When she discusses her love to "sink [her] teeth into a part", Tomei embodies a star's desire to deeply engage with, explore, and populate a character totally. This expression conveys a passion for functions that are difficult and abundant in compound-- roles that demand a star's complete variety of psychological and technical skills. Eventually, Tomei's viewpoint champions a more dynamic and expressive kind of storytelling over the suppressed realism of naturalism, commemorating the artistic breadth that theater, in particular, can use.