"I believe art has to take responsibility but it should not give up being art"
About this Quote
Kiefer’s line lands like a rebuke to two easy temptations: aesthetic escapism on one side, slogan-making on the other. Coming of age in postwar Germany, he’s spent a career walking straight into the blast radius of national memory - Nazism, myth, guilt, the seductions of grand narratives - and insisting that art can’t pretend it’s innocent. “Take responsibility” isn’t PR language here; it’s a moral demand shaped by a culture where forgetting is always a political project. In Kiefer’s world, to paint is to handle radioactive material.
The pivot matters: “but it should not give up being art.” That “but” is the whole argument. He’s wary of the moment when ethical urgency turns work into a lecture, when the canvas becomes a billboard and complexity gets sanded down to correct messaging. Kiefer’s own practice makes the case: lead, ash, straw, scorched surfaces - materials that carry history in their bodies. The work doesn’t simply represent trauma; it behaves like it, heavy and contaminated, refusing clean closure. Responsibility, for him, is not about providing answers or comfort. It’s about not letting the viewer off the hook.
Subtextually, he’s also defending ambiguity as an ethical tool. Real accountability isn’t a caption that tells you what to think; it’s an encounter that leaves you unsettled, implicated, forced to reckon. Kiefer insists art can enter the public argument without surrendering its distinct power: metaphor, density, contradiction, the right to be ugly, excessive, and unresolved.
The pivot matters: “but it should not give up being art.” That “but” is the whole argument. He’s wary of the moment when ethical urgency turns work into a lecture, when the canvas becomes a billboard and complexity gets sanded down to correct messaging. Kiefer’s own practice makes the case: lead, ash, straw, scorched surfaces - materials that carry history in their bodies. The work doesn’t simply represent trauma; it behaves like it, heavy and contaminated, refusing clean closure. Responsibility, for him, is not about providing answers or comfort. It’s about not letting the viewer off the hook.
Subtextually, he’s also defending ambiguity as an ethical tool. Real accountability isn’t a caption that tells you what to think; it’s an encounter that leaves you unsettled, implicated, forced to reckon. Kiefer insists art can enter the public argument without surrendering its distinct power: metaphor, density, contradiction, the right to be ugly, excessive, and unresolved.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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