"I couldn't imagine what Fox thought they were doing, contemplating such a jagged protagonist for a prime-time drama. I only knew that I wanted the role very much"
About this Quote
Network TV likes its heroes pre-sanded: charming, legible, safe to invite into your living room at 9 p.m. Hugh Laurie’s line skewers that whole industrial instinct in one move, calling House a “jagged protagonist” as if the character were a piece of broken glass Fox was voluntarily handing to viewers. The phrasing does two jobs at once. It flatters the risk (jagged equals interesting, unmanageable, alive) while also implying corporate bafflement: What were they thinking?
As a comedian, Laurie understands the secret engine here: contradiction. He frames the executives’ decision as borderline irrational, then admits his own desire with disarming bluntness. “I only knew” is the tell. It shrinks the grand strategic talk of prestige television into a simpler, more human motive: actors chase roles that feel dangerous. The line is funny because it undercuts the mythology of show business savvy; it’s also revealing because it names the appeal of antiheroes before they became a streaming-era default.
The context matters: early-2000s prime-time drama still carried the ghost of the upright lead. House arrives as a corrective - brilliant, mean, limping, chemically dependent, emotionally avoidant - and Laurie positions himself as both spectator and accomplice to the gamble. The subtext is that “jagged” wasn’t a bug in the product; it was the product. Laurie’s desire reads less like vanity than like a performer recognizing a cultural opening: audiences were ready to root for someone they wouldn’t want to sit next to.
As a comedian, Laurie understands the secret engine here: contradiction. He frames the executives’ decision as borderline irrational, then admits his own desire with disarming bluntness. “I only knew” is the tell. It shrinks the grand strategic talk of prestige television into a simpler, more human motive: actors chase roles that feel dangerous. The line is funny because it undercuts the mythology of show business savvy; it’s also revealing because it names the appeal of antiheroes before they became a streaming-era default.
The context matters: early-2000s prime-time drama still carried the ghost of the upright lead. House arrives as a corrective - brilliant, mean, limping, chemically dependent, emotionally avoidant - and Laurie positions himself as both spectator and accomplice to the gamble. The subtext is that “jagged” wasn’t a bug in the product; it was the product. Laurie’s desire reads less like vanity than like a performer recognizing a cultural opening: audiences were ready to root for someone they wouldn’t want to sit next to.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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