"I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen"

Tim Roth's quote offers appealing insights into his viewpoint on acting, the film market, and the characteristics of movie distribution. At its core, Roth expresses an unwillingness to dissect the craft of acting through excessive analysis. This position recommends a belief that acting, as an art type, may lose its intrinsic magic and spontaneity when overly inspected. Rather, Roth hints at the ephemeral charm of performances that are skilled viscerally instead of intellectually dissected.

His mention of the fascination with British movies dispersed worldwide highlights the cultural and cinematic exchange that occurs when motion pictures take a trip throughout borders. Roth seems to value the artistry in British movie theater, acknowledging the outstanding efficiencies that often discover a minimal audience. The phrase "piece de resistances you'll never ever see again" may allude to the fleeting nature of movie releases and how some extraordinary works go undetected or uncelebrated by broader audiences due to different restrictions in circulation and reach.

When Roth rhetorically asks, "Why compare", he may be challenging the tendency to determine creative works versus one another. This resonates with the concept that art need to be valued for its unique qualities rather than being subjected to relative analysis, which frequently minimizes the subjective experience to a contest of merit.

The concluding idea, "We must pursue the businessmen", moves the focus to those who manage the business aspects of the movie industry. Here, Roth appears to slam the gatekeepers-- suppliers and manufacturers-- suggesting that their decisions substantially influence which movies are made accessible to the public. He recommends that rather than critiquing the art itself, attention should be directed towards business practices that form the cinematic landscape, promoting for a more artist-friendly environment that enables varied works to be seen and appreciated widely.

Overall, Roth's quote shows a call for a much deeper gratitude of the artistic elements of movie theater and a review of the industrial structures that can limit the ease of access and acknowledgment of outstanding cinematic efficiencies.