"I don't know if we will ever try again because those sort of things are very hard to organise but yes, I've known Doon for years and John as well but I hadn't met Will before, and he turned out to be a good laugh"
About this Quote
Jo Brand’s charm here is that she makes the potentially grand sound almost administratively miserable. “I don’t know if we will ever try again” isn’t dramatic; it’s the weary shrug of someone who’s lived through enough committees, bookings, and backstage logistics to know that “very hard to organise” is code for herding cats with egos, calendars, and agents. Coming from a comedian, it’s also a pressure-release valve: deflate expectations before anyone can inflate them into a triumph or a failure.
The name-checking - “Doon,” “John,” “Will” - quietly signals a particular British comedy ecosystem: a small, recurring pool where relationships are long-running, professionally useful, and socially awkward in familiar ways. Brand distinguishes between “known for years” and “hadn’t met,” a reminder that fame creates the illusion of intimacy while the circuit actually runs on partial overlaps and parallel tracks.
Then she lands the real verdict with classic Brand economy: “he turned out to be a good laugh.” No hyperbole, no showbiz gush, just the blunt, pub-level metric that matters in her persona. The subtext is generosity disguised as understatement. She’s offering approval while keeping her emotional temperature low, which is exactly how her comedy works: warmth delivered through deadpan restraint, authenticity protected by a layer of dry, anti-sentimental common sense.
The name-checking - “Doon,” “John,” “Will” - quietly signals a particular British comedy ecosystem: a small, recurring pool where relationships are long-running, professionally useful, and socially awkward in familiar ways. Brand distinguishes between “known for years” and “hadn’t met,” a reminder that fame creates the illusion of intimacy while the circuit actually runs on partial overlaps and parallel tracks.
Then she lands the real verdict with classic Brand economy: “he turned out to be a good laugh.” No hyperbole, no showbiz gush, just the blunt, pub-level metric that matters in her persona. The subtext is generosity disguised as understatement. She’s offering approval while keeping her emotional temperature low, which is exactly how her comedy works: warmth delivered through deadpan restraint, authenticity protected by a layer of dry, anti-sentimental common sense.
Quote Details
| Topic | Funny Friendship |
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