"I don't know what its like for most actors, but really clearly for myself acting has always been the fulfilment of personal fantasies. It isn't just art, its about being a person I've always wanted to be, or being in a situation, or being a hero"

In this quote, Richard Dreyfuss reveals a deeply individual viewpoint on the nature of acting that goes beyond the typical understandings of the craft as simply an art kind. He recommends that acting serves a dual function for him: it is both an artistic endeavor and a conduit for individual exploration and satisfaction. This implies that, beyond the conventional view of functioning as an occupation focused on portraying characters and narratives, there is an intimate, self-reflective part intrinsic in the process for Dreyfuss.

Dreyfuss's admission that acting is "the fulfilment of individual fantasies" indicate the possibility that, through his roles, he has the ability to check out various facets of his identity and desires. This contrasts with the concept of functioning as exclusively a method to amuse or communicate stories to an audience. Instead, it presents functioning as a medium through which he can securely and temporarily presume personalities and experience circumstances that are unattainable in his everyday life. This suggests a therapeutic or liberating aspect of acting, using him the opportunity to transcend ordinary experiences and live out his dreams.

Additionally, Dreyfuss's reflection on acting as a method of "being an individual I've constantly wanted to be, or being in a scenario, or being a hero" recommends that through his roles, he take advantage of an aspirational dimension where he can engage with idealized variations of himself and his life situations. This point touches on the transformative capacity of acting not just as a craft but likewise as an exercise in personal development and self-discovery.

In essence, Dreyfuss articulates a view of acting that is deeply linked with identity and personal aspiration. For him, it is not almost embodying a character for the sake of an audience, but also about embarking on a journey to explore and recognize different elements of his own psyche and desires.