"I don't really think of myself as an actor"
About this Quote
“I don’t really think of myself as an actor” is classic comedian self-positioning: a modesty flex that’s less about insecurity than control. Dylan Moran has made a career out of seeming allergic to polish, performing intelligence as dishevelment, and this line protects that brand. “Actor” implies technique, craft, maybe even calculation. Moran’s comic persona trades on the opposite: the illusion that the thoughts are arriving mid-sentence, half-feral, still steaming.
The intent is twofold. First, it rejects the faint stigma comedians often attach to acting - the idea that acting is pretending, while stand-up is confession. Moran’s work (especially in Black Books) is obviously performed, structured, and repeatable, but the line insists on a different kind of authenticity: I’m not putting on a character; you’re just watching me think loudly in costume. It’s a rhetorical move that invites trust while sidestepping the expectations that come with “serious” acting.
Subtextually, it’s also a small act of class and scene loyalty. Comedy, particularly the scrappier UK tradition Moran comes out of, prizes the live-wire quality of presence over the clean competence of a trained actor. Saying he doesn’t “think” of himself that way signals allegiance to stand-up’s hierarchy, where spontaneity is the currency and “acting” can read as careerist.
Context matters: Moran’s screen roles are tightly aligned with his stage voice. The line lets him keep credit for the performance while denying the machinery behind it - a magician’s insistence that there was never a trick, just hands.
The intent is twofold. First, it rejects the faint stigma comedians often attach to acting - the idea that acting is pretending, while stand-up is confession. Moran’s work (especially in Black Books) is obviously performed, structured, and repeatable, but the line insists on a different kind of authenticity: I’m not putting on a character; you’re just watching me think loudly in costume. It’s a rhetorical move that invites trust while sidestepping the expectations that come with “serious” acting.
Subtextually, it’s also a small act of class and scene loyalty. Comedy, particularly the scrappier UK tradition Moran comes out of, prizes the live-wire quality of presence over the clean competence of a trained actor. Saying he doesn’t “think” of himself that way signals allegiance to stand-up’s hierarchy, where spontaneity is the currency and “acting” can read as careerist.
Context matters: Moran’s screen roles are tightly aligned with his stage voice. The line lets him keep credit for the performance while denying the machinery behind it - a magician’s insistence that there was never a trick, just hands.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
More Quotes by Dylan
Add to List



