"I don't remember what I did fifty years ago"
About this Quote
It lands like a dodge, but it’s really a flex: Julius Schwartz, the man whose job was to remember, archive, and curate pop mythology, pleading ordinary human forgetfulness. Coming from a legendary comics editor, “I don’t remember what I did fifty years ago” reads less like amnesia than a quiet refusal to be trapped by trivia. Fans and historians love to turn creators into living footnotes - date this, credit that, settle an argument about who invented what. Schwartz’s line shrugs off that whole courtroom vibe.
The specific intent is practical: it’s an editor’s way of shutting down an interrogation without starting a fight. It doesn’t deny anything outright; it simply makes the past unprovable. Subtext: memory isn’t a ledger, and legacy isn’t owed to anyone as a perfectly itemized receipt. There’s also a sly power move in the understatement. By invoking “fifty years,” he pulls the camera back so far that any gotcha question looks small. If you’re asking him for the minutiae of 1950s production decisions, he’s reminding you that entire decades of life have passed since then - and that the work mattered more than the paperwork around it.
Contextually, Schwartz sat at the crossroads of authorship and management, famously steering the Silver Age reboot machine while writers and artists fought (and still fight) over recognition. The line speaks to that era’s messy credit economy: editors as invisible architects, later asked to testify about history they helped manufacture on deadline. It’s not just forgetfulness; it’s a boundary.
The specific intent is practical: it’s an editor’s way of shutting down an interrogation without starting a fight. It doesn’t deny anything outright; it simply makes the past unprovable. Subtext: memory isn’t a ledger, and legacy isn’t owed to anyone as a perfectly itemized receipt. There’s also a sly power move in the understatement. By invoking “fifty years,” he pulls the camera back so far that any gotcha question looks small. If you’re asking him for the minutiae of 1950s production decisions, he’s reminding you that entire decades of life have passed since then - and that the work mattered more than the paperwork around it.
Contextually, Schwartz sat at the crossroads of authorship and management, famously steering the Silver Age reboot machine while writers and artists fought (and still fight) over recognition. The line speaks to that era’s messy credit economy: editors as invisible architects, later asked to testify about history they helped manufacture on deadline. It’s not just forgetfulness; it’s a boundary.
Quote Details
| Topic | Aging |
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