"I don't think any novelist should be concerned with literature"

In the quote, "I don't think any novelist should be concerned with literature", Jacqueline Susann appears to challenge the traditional understanding of what it implies to be an author. This statement can be analyzed as a call for freedom from the restraints that include being excessively preoccupied with the concept of "literature" as a respected or elite domain.

Susann, understood for her successful unique "Valley of the Dolls", frequently dealt with criticism from literary circles regardless of her industrial success. Her quote can be viewed as a statement that novelists should focus on storytelling, character advancement, and genuine emotional engagement over adherence to literary conventions or the pursuit of important honor. By recommending that novelists should not worry themselves with "literature", Susann advocates for a form of composing that focuses on ease of access, entertainment, and personal expression over formal recognition and adherence to traditional literary standards.

She hints at a democratization of the composing procedure, where the author's focus need to be on crafting narratives that resonate with a broad audience, rather than pursuing a location in the literary canon. This viewpoint motivates writers to embrace creativity and authenticity, focusing on what they wish to communicate and how best to engage their readers, instead of complying with presumptions of what makes up "good" literature.

Furthermore, her sentiment might show a criticism of the literary facility's tendency to underestimate works that achieve industrial success or that get in touch with pop culture. By firmly insisting that authors disconnect from a rigid literary framework, Susann promotes a kind of innovative flexibility that enables diverse stories and voices to emerge, inviting more inclusivity in the stories that form our understanding of the human experience.

In essence, Susann's assertion challenges authors to concentrate on their unique storytelling capabilities and to trust their impulses in getting in touch with readers, instead of being swayed by the pressures of fitting into a specific literary mold.