"I don't think I've ever read an old book through from start to finish. Not after more than six months after writing it, that is"

Nicholas Mosley's quote provides a reflective view on the relationship between an author and their own works. When Mosley says, "I don't think I've ever read an old book through from start to end up", he might be hinting at the nature of authorship as a dynamic and developing process. Writers often grow and change with time, and revisiting previous works can seem like taking a look at past versions of oneself. The expression "old book" recommends a sense of temporal range, emphasizing that Mosley is speaking of works from earlier durations in his life or profession.

The subsequent part of the quote, "Not after more than six months after writing it, that is", presents a temporal boundary that recommends the author's relationship with their work goes through a shift after a particular period. The six-month marker can represent the time it takes for an author to gain adequate range from their work to see it as a total piece, instead of a work-in-progress. After this duration, authors might prevent rereading their work due to the fact that they fear facing flaws or due to the fact that they have actually already proceeded to originalities and projects. This six-month window may also indicate a point at which emotional detachment begins, enabling the work to stand on its own, different from the immediate emotional and intellectual effort that entered into its production.

Additionally, Mosley's declaration may reflect a more comprehensive philosophical view about development and the short-term nature of inspiration. For lots of writers, the act of composing is intensely intimate and time-specific. When a piece is finished and some time has passed, the connection to it can alter. Authors may choose concentrating on today or future, directing their creative energies into new undertakings rather than residence on past accomplishments.

In summary, Mosley's words catch the complex feelings authors feel about their own past works. They stabilize pride and detachment, acknowledging the inevitability of change in both themselves and their productions.