"I don't want the news to be patriotic. I don't want to see flags on the lapels of the anchors. I don't want any of that"

Aaron McGruder's quote is a reflection on the function of wire service in society. McGruder, known for his sharp social commentary through his deal with "The Boondocks", expresses a desire for news to preserve its neutrality rather than succumbing to obvious display screens of nationalism. The quote shows a concern about the potential bias that can emerge when journalism becomes linked with patriotism.

By specifying, "I don't desire the news to be patriotic", McGruder advocates for a journalistic ethos that focuses on fact-based reporting over nationalistic pride. He argues that the job of the media is to deliver objective details, hold those in power responsible, and offer a platform for diverse point of views, independent of national identity. Patriotism, when included prominently in news reporting, may cloud this neutrality, triggering manipulated narratives that favor nationwide interests over the truthful pursuit of truth.

Furthermore, McGruder's rejection of "flags on the lapels of the anchors" underscores his concern that even subtle signs of patriotism can affect how news is viewed and delivered. Such symbols may automatically persuade audiences to rely on the details presented without concern, based upon a sense of shared national identity rather than the benefit of accurate proof and important analysis.

McGruder's point of view welcomes a broader reflection on media usage and the duty of news outlets to compare reporting and promoting national ideology. His statement implies a call for viewers to stay vigilant about the capacity for predisposition and to seek news that supports rigorous journalistic standards, thereby maintaining the vital democratic function of the press as a guard dog rather than a cheerleader.

In essence, McGruder advocates for a media landscape where truth and accountability take precedence over nationalistic belief, fostering an informed and critically engaged public. This technique lines up with democratic perfects, where the press serves as a forum for truthful reflection and dispute, unprejudiced by the limitations of blind patriotism.