"I draw what I feel, which is no more than doing my job"
About this Quote
Bakshi’s line lands like a shrug with a knife behind it: he’s daring you to treat “what I feel” as unremarkable, even as his career proves it’s the most combustible thing an animator can put on screen. The phrasing is defensive and defiant at once. “I draw what I feel” claims authorship in a medium that’s often treated as industrial craft or kiddie entertainment; “which is no more than doing my job” punctures any romantic mythmaking. He refuses the halo of “visionary artist” while insisting on the right to be personal, messy, and blunt.
The intent is partly camouflage. Bakshi spent decades catching heat for work that dragged animation into adult territory: sex, racism, urban decay, class rage. When critics call it provocative, he reframes it as labor. Not transgression for its own sake, just honesty as a professional obligation. That’s the subtext: if your job is to make images, your real job is to tell the truth you can’t comfortably say out loud.
Context matters because animation has long been policed by taste-makers as a genre rather than a language. Bakshi’s “job” is to break that lock: to insist that drawings can carry the same psychological grime and social conflict as live-action. The line also hints at a working-class ethic - no preciousness, no apologies. Feeling isn’t a soft refuge here; it’s the engine that keeps the machine running, even when the machine makes people uncomfortable.
The intent is partly camouflage. Bakshi spent decades catching heat for work that dragged animation into adult territory: sex, racism, urban decay, class rage. When critics call it provocative, he reframes it as labor. Not transgression for its own sake, just honesty as a professional obligation. That’s the subtext: if your job is to make images, your real job is to tell the truth you can’t comfortably say out loud.
Context matters because animation has long been policed by taste-makers as a genre rather than a language. Bakshi’s “job” is to break that lock: to insist that drawings can carry the same psychological grime and social conflict as live-action. The line also hints at a working-class ethic - no preciousness, no apologies. Feeling isn’t a soft refuge here; it’s the engine that keeps the machine running, even when the machine makes people uncomfortable.
Quote Details
| Topic | Art |
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