"I feel that I belong to the 19th century. Some composers' music is very topical. It almost says, 'This is about what I read in newspapers yesterday.' Not mine"

Gordon Getty's declaration suggests a deep individual and artistic alignment with the values and styles of the 19th century. By stating "I feel that I belong to the 19th century", Getty expresses a sentimental affinity for an age known for its passion, romanticism, and focus on tune and expression in music. The 19th century, marked by the Romantic duration, saw composers like Beethoven, Brahms, and Tchaikovsky creating music that was typically defined by emotion, splendour, and profound narrative depth.

When Getty contrasts his work with modern music that feels "very topical" and suggests that "this is about what I check out in papers yesterday", he suggests a gap between transient, immediate concerns and ageless artistic expression. Modern authors often reflect the instant socio-political climate, producing music that straight addresses current events, trends, or stories dominating media headings. While such music can be effective and resonant in its own time, it may not have the timeless qualities that Getty relates to the 19th century.

Getty's assertion that his music does not follow this pattern talks to his artistic approach and innovative intent. By not aligning his deal with present occasions, he may be making every effort to develop pieces that go beyond temporal limits, aiming for a more universal and long-lasting appeal. His connection to the 19th century suggests a concentrate on styles of universality-- love, nature, human struggle, and triumph-- themes that resonate across generations.

Additionally, Getty's viewpoint highlights a broader argument about the purpose and function of art. Should art mostly reflect and talk about today, or should it go beyond the immediate to check out more classic themes? Getty appears to promote for the latter, believing that the greatest creative achievements are those that continue to talk to audiences long after their production, just like the works of the 19th-century masters he appreciates.