"I get a kick out of being an outsider constantly. It allows me to be creative"
About this Quote
Hicks turns “outsider” from a social handicap into a creative instrument. The phrasing is doing double duty: “I get a kick” sounds casual, even boyish, but it’s also a performer’s tell. He’s admitting that alienation can be metabolized into energy - not just endured, but enjoyed as fuel. That sly pleasure matters, because Hicks wasn’t selling comfort; he was selling disruption. The line smuggles in a refusal to audition for acceptance.
“Constantly” is the knife. He’s not talking about one bad gig or a misunderstood phase; he’s describing a permanent stance. That permanence becomes a kind of negative freedom: if you’re already outside the club, you’re released from the club’s rules. Creativity here isn’t “self-expression” in the Hallmark sense; it’s a tactical advantage. Outsiderness gives you perspective, and perspective lets you puncture consensus - especially the kind Hicks targeted: consumer hypnosis, political theater, the narcotic hum of mainstream culture.
Context matters: late-80s/early-90s American comedy was negotiating the line between club-friendly relatability and confrontational truth-telling. Hicks chose the latter, and paid for it in bookings, TV spots, and the polite approval that turns comics into brands. This quote is both self-mythology and survival strategy: if the world won’t let you in, you convert exclusion into authorship. It’s a credo for the artist as heckler - not of individuals, but of the script everyone else is pretending not to read.
“Constantly” is the knife. He’s not talking about one bad gig or a misunderstood phase; he’s describing a permanent stance. That permanence becomes a kind of negative freedom: if you’re already outside the club, you’re released from the club’s rules. Creativity here isn’t “self-expression” in the Hallmark sense; it’s a tactical advantage. Outsiderness gives you perspective, and perspective lets you puncture consensus - especially the kind Hicks targeted: consumer hypnosis, political theater, the narcotic hum of mainstream culture.
Context matters: late-80s/early-90s American comedy was negotiating the line between club-friendly relatability and confrontational truth-telling. Hicks chose the latter, and paid for it in bookings, TV spots, and the polite approval that turns comics into brands. This quote is both self-mythology and survival strategy: if the world won’t let you in, you convert exclusion into authorship. It’s a credo for the artist as heckler - not of individuals, but of the script everyone else is pretending not to read.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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