"I had never been out covering a story, but boy, was that fun"
About this Quote
There’s a sly humility baked into Ed Bradley’s “I had never been out covering a story, but boy, was that fun” that doubles as a mission statement for great reporting. The line isn’t about naivete; it’s about ignition. Bradley frames the act of covering a story as discovery, the moment when journalism stops being an abstract civic virtue and becomes a lived, kinetic practice: being there, asking, listening, noticing what doesn’t fit the official script.
The casual “boy” does a lot of work. It’s conversational, almost throwaway, the kind of phrasing that keeps the speaker from sounding self-mythologizing. Yet the subtext is intensely serious: the job is demanding, sometimes dangerous, and still, the pull is undeniable. “Fun” can read as scandalous for a profession associated with tragedy and corruption, but Bradley uses it to name the adrenaline of accountability. The pleasure isn’t in spectacle; it’s in pursuit, in the chase for the detail that collapses a public lie.
Context matters because Bradley’s career - and especially his prominence on 60 Minutes - represents the era when on-the-ground reporting became a form of cultural power: the reporter as witness, interrogator, and translator of institutions for an audience that can’t get inside the room. The quote signals an origin point: the first time the work felt like vocation. It’s the sound of someone realizing that curiosity, when disciplined, can become a public service.
The casual “boy” does a lot of work. It’s conversational, almost throwaway, the kind of phrasing that keeps the speaker from sounding self-mythologizing. Yet the subtext is intensely serious: the job is demanding, sometimes dangerous, and still, the pull is undeniable. “Fun” can read as scandalous for a profession associated with tragedy and corruption, but Bradley uses it to name the adrenaline of accountability. The pleasure isn’t in spectacle; it’s in pursuit, in the chase for the detail that collapses a public lie.
Context matters because Bradley’s career - and especially his prominence on 60 Minutes - represents the era when on-the-ground reporting became a form of cultural power: the reporter as witness, interrogator, and translator of institutions for an audience that can’t get inside the room. The quote signals an origin point: the first time the work felt like vocation. It’s the sound of someone realizing that curiosity, when disciplined, can become a public service.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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