"I hate this fast growing tendency to chain men to machines in big factories and deprive them of all joy in their efforts - the plan will lead to cheap men and cheap products"
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Wagner’s fury lands like an aria aimed at the age of steam: not a gentle complaint about “working conditions,” but a moral denunciation of what industrial capitalism does to the human spirit and, by extension, to art. He’s allergic to the idea that labor should be reduced to a mechanical reflex, because for him creation is inseparable from inner life. When he says factories “deprive them of all joy in their efforts,” he’s really arguing that meaning is a production input - remove it, and you don’t just break workers, you degrade everything they touch.
“Chain men to machines” is chosen for its brutality. It turns industrial efficiency into captivity, casting the factory as a modern dungeon with a time clock. Wagner, the consummate dramatist, knows exactly how to stage the conflict: human agency versus systems that treat people as replaceable parts. The phrase “cheap men and cheap products” is the key insult. “Cheap” isn’t only about price; it’s about value, dignity, and cultural quality. He’s warning that mass production doesn’t merely make goods uniform - it makes people smaller.
Context matters: Wagner wrote amid Europe’s rapid industrialization and rising class conflict, while also championing the mythic, total artwork that demanded intense craft and spiritual investment. The subtext is self-interested and prophetic at once: a society that trains workers to be machine-like will eventually demand machine-like art - and Wagner is fighting to keep the soul expensive.
“Chain men to machines” is chosen for its brutality. It turns industrial efficiency into captivity, casting the factory as a modern dungeon with a time clock. Wagner, the consummate dramatist, knows exactly how to stage the conflict: human agency versus systems that treat people as replaceable parts. The phrase “cheap men and cheap products” is the key insult. “Cheap” isn’t only about price; it’s about value, dignity, and cultural quality. He’s warning that mass production doesn’t merely make goods uniform - it makes people smaller.
Context matters: Wagner wrote amid Europe’s rapid industrialization and rising class conflict, while also championing the mythic, total artwork that demanded intense craft and spiritual investment. The subtext is self-interested and prophetic at once: a society that trains workers to be machine-like will eventually demand machine-like art - and Wagner is fighting to keep the soul expensive.
Quote Details
| Topic | Work |
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