"I have a toy giraffe on my bed. I've got photographs over my desk as well as a mask of a giraffe in my kitchen. I am totally hooked"

Joanna Lumley's quote provides a brilliant and individual peek into her life through the recurring theme of giraffes. The presence of a toy giraffe on her bed suggests a sense of convenience and nostalgia. Toys typically carry emotional worth, echoing youth memories or valued moments. This little information mean Lumley's desire to hold onto a sense of marvel and playfulness in her personal space, using insights into a personality that discovers pleasure in the whimsical and the imaginative.

The photos over her desk indicate an area of reflection and reminiscence. Pictures normally work as tips of cherished memories or important events, suggesting that Lumley surrounds herself with suggestions of people, locations, or experiences that motivate her. These photographs, positioned tactically in an office, may act as muses, triggering imagination and motivation, while likewise offering a reassuring backdrop of familiarity.

The mention of a giraffe mask in her kitchen area introduces an aspect of the theatrical into an utilitarian space. Kitchens are traditionally spaces of nourishment and community, so putting such a distinct and lively item there challenges traditional design norms, exposing Lumley's style for infusing daily life with aspects of enjoyable and surprise. It recommends a character that values imagination and creativity, not only in public elements of life however also in private, everyday settings.

The concluding sentence, "I am completely connected", metaphorically connects these eccentric aspects together, verifying Lumley's self-awareness and approval of her special tastes. The phrase highlights her enthusiasm and passion, recommending that these giraffe motifs are not just random choices however essential parts of her identity. It shows a deep gratitude for the unique and the uncommon, celebrating an individualistic technique to individual expression. This quote, abundant in images and implication, paints a picture of Lumley as someone who happily accepts the eclectic and the significant in both her personal haven and broader existence.