"I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it"

Sergio Aragonés, a distinguished cartoonist and author, reveals an ingrained enthusiasm and appreciation for the horror genre in this quote. His words communicate not just a casual interest, however a longstanding love for scary that apparently permeates his expert ventures. His declaration of love for scary recommends an intrinsic connection to the category, likely rooted in its capability to stimulate extreme feelings and check out the darker elements of humanity. This gratitude for horror could stem from its unique ability to provoke idea and difficulty both creator and audience to challenge worries and taboos within the safe boundaries of fiction.

Aragonés mentions his early experience writing stories for DC's "House of Mystery", illuminating a developmental period in his career. "House of Mystery" was a popular scary anthology comic series, and working on it would have provided Aragonés with chances to flex his storytelling muscles within the category he admired. By stating that it was among his first tasks in comics, Aragonés mean a fundamental moment in his journey as a developer. The experience most likely shaped his narrative abilities, honed his understanding of pacing and suspense, and permitted him to explore a design of composing that balanced adventure with storytelling depth.

His love for writing within the horror category, as suggested in his quote, may have been sustained by the imaginative liberty and narrative possibilities that horror stories offer. Moreover, his involvement with a credible publication like DC Comics symbolizes a notable achievement for any writer, specifically in the early stages of their profession. It shows his dedication and proficiency in a genre he loves, which likely worked as a catalyst for future chances in his remarkable career.

In essence, Sergio Aragonés's declaration does more than just reminisce; it encapsulates his long-lasting connection to horror and highlights its prominent role in shaping his early work and, potentially, his imaginative identity.