"I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either"

This quote by Joel Siegel shows hesitation and criticism relating to a filmmaker's choice to remake a film from one language to another, specifically from Spanish to English. There are numerous layers to unload in Siegel's statement.

Firstly, Siegel expresses confusion that a skilled and initial filmmaker would devote such substantial time-- two years, in this case-- to a job that involves remaking, rather than developing something new and initial. The expression "among our most initial filmmakers" recommends that the person in concern has the capability to innovate and produce unique cinematic works, making the option to remake somebody else's film appear like an underutilization of their imaginative skills.

Moreover, Siegel's quote brings an implicit critique of the source material itself. By mentioning, "And it wasn't such a great movie in Spanish, either", he questions the worth of the initial movie. This comment suggests that the motion picture being remade was not seriously well-known or particularly impactful, hence casting doubt on the possible success or requirement of an English version. Siegel appears to argue that the remake lacks a strong structure upon which to build, making the filmmaker's financial investment in the task seem a lot more confusing.

The quote also means bigger problems within the movie market, such as the trend of remaking foreign films for English-speaking audiences, potentially indicating a critique of cultural translation and adaptation. Siegel's comments could be seen as lamenting a lack of originality in the market, where tested however not necessarily amazing stories are recycled instead of fostering original narratives.

In general, Siegel's words highlight a tension in between creative originality versus business inspirations often present in the movie market, raising questions about what drives filmmakers to choose particular tasks and how this lines up with their abilities and artistic worths.