"I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion"

Patrick Marber's quote reviews the intricate dance in between structure and feeling within the realm of theatrical storytelling. At the heart of his reflection lies a paradox: the unified interaction of structured style and raw human emotion. Marber highlights a purposeful creative choice to develop the play around an exact architecture-- the very first and last conference of each couple. This sophisticated structure acts as the skeleton of the story, offering a constant framework that guides the audience through the story.

The structure described by Marber is significant in its mathematical accuracy and balance. By concentrating on the very first and last interactions of each couple, the audience experiences a full arc of relationships, witnessing both the genesis and dissolution of connections. This mirrors the cycle of starts and endings that frequently characterize human interactions, establishing a universal rhythm that resonates with audiences.

Contrastingly, the "inelegant feeling" he discusses presents an aspect of unpredictability and rawness. Feelings are inherently untidy, defying neat classification or forecast. By juxtaposing structured chronology with disorderly feelings, Marber highlights the tension he intends to evoke in the play. This tension mirrors real life, where well-laid plans often collide with the spontaneity and complexity of human sensations. It is within this tension that the play finds its significant power.

Marber recommends that the play's true essence emerges from this interaction-- the classy structure providing clearness and focus, while the feelings provoke compassion and self-questioning. The structured timeline welcomes the audience to think analytically about relationships, while the emotional journey obliges them to feel and respond viscerally. This dual engagement guarantees that the play resonates on several levels, engaging both mind and heart.

In essence, Marber's insight reveals a keen understanding of the theatrical craft: narrative structure and visceral feeling are not opposing forces but collaborative elements that, when masterfully well balanced, develop engaging and unforgettable drama.