"I like leaping around on stage as long as it's done with class. None of this jumping up in the air and doing the splits"

Ritchie Blackmore's quote reflects a nuanced perspective on efficiency, particularly in the context of stage existence and musical artistry. By revealing a choice for "jumping around on stage" but highlighting the need for it to be done "with class", Blackmore compares energetic performance that is stylish versus that which may be perceived as excessive or doing not have in sophistication.

Blackmore's statement recommends a deliberate technique to showmanship, where motion and enthusiasm are essential elements of a live efficiency, but ought to not eclipse the music itself or the artist's stability. The idea of doing things "with class" suggests a balance between raw energy and a degree of restraint or beauty. This could also be interpreted as valuing authenticity and a particular level of professionalism in musical efficiencies.

When Blackmore dismisses "leaping up in the air and doing the splits", he might be critiquing the more flamboyant or gimmicky elements of some efficiencies, recommending that such antics might interfere with the musical experience. It's not the display of physical prowess or phenomenon that is inherently problematic; rather, it's whether these actions serve the music and preserve the dignity of the performance.

In essence, Blackmore is advocating for an efficiency ethos where musicians can be dynamic and interesting without being overly theatrical in such a way that might be viewed as showboating. His concerns seem to lie in keeping a creative focus and making sure that the main emphasis stays on musicianship instead of purely on entertainment phenomenon.

Overall, this quote reveals Blackmore's commitment to a kind of creative expression that keeps the music central while permitting a dynamic and spirited performance style that appreciates both the audience and the craft.