"I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with"

John Boorman's quote uses a glimpse into the extensive artistic process that underlies his technique to storytelling, particularly in movie and literature. By focusing on the "whole body of misconception", Boorman highlights his intent to bring into play the rich tapestry of universal themes and archetypes that have been main to human expression across cultures and time periods. Myths are more than mere stories; they are foundational narratives that explore the essence of human experience, incorporating themes of heroism, betrayal, love, struggle, and transformation.

Boorman's approach includes taking a look at a story not just as a direct sequence of occasions however as a component of a bigger mythological framework. This perspective permits him to see where specific characters fit within that structure. In doing so, he draws on Carl Jung's principle of archetypes, the widely identifiable characters or motifs that recur in mythologies worldwide. These might consist of the hero, the mentor, the trickster, or the shadow, each serving an essential role within the narrative structure. By determining the stereotypical functions that his characters populate, Boorman crafts stories that resonate on a much deeper, more universal level.

The phrase "all those archetypes exist to play with" indicates a creative liberty and excitement in Boorman's procedure. It recommends that rather than being restricted by standard storytelling techniques, he welcomes the unlimited possibilities provided by these classic symbols. This lively expedition permits development and depth, making sure that while the story stays grounded in stereotypical reality, it likewise brings a fresh point of view to the audience.

In essence, Boorman's technique is a testimony to the enduring power of myth. He acknowledges that by grounding his operate in this cumulative narrative heritage, his stories obtain an ageless, transcendent quality that speaks with the shared human condition, welcoming viewers and readers into a dialogue with the myths that continue to form our understanding of the world.