"I loved Rent when I first heard it, but it grew on me and so did Tick, Tick... Boom. Some songs are more interesting than others and sometimes the ones that never stood out at first end up being the best to perform"

In this quote, Neil Patrick Harris reviews his evolving relationship with musical theater pieces, particularly "Rent" and "Tick, Tick ... Boom". At first, he was mesmerized by "Rent", among Jonathan Larson's most famous works, showing a strong, immediate emotional or intellectual connection to the musical. This preliminary impression recommends that "Rent" has a universal appeal and availability that resonates with numerous audiences and performers upon first exposure.

As he continues, Harris keeps in mind that "it grew on me", indicating that his appreciation for the program deepened gradually. This phenomenon is common in the arts, where duplicated direct exposure can expose subtleties and intricacies that aren't immediately apparent. The statement might also recommend that Harris's own growth as an entertainer and his experiences have actually given him brand-new insights into the musical, resulting in a deeper appreciation.

He then extends this notion to "Tick, Tick ... Boom", another work by Larson. Here, Harris highlights a personal journey of discovery, where duplicated listening and engagement with the music enabled it to take root and thrive in his creative life. This metaphor of development suggests a nurturing relationship with the product, where initial impressions give way to a more enriched understanding and satisfaction.

Harris's observation that "some songs are more interesting than others" acknowledges the subjective experience of art-- how different compositions resonate distinctively with each listener or entertainer. Furthermore, by keeping in mind that "in some cases the ones that never stood apart initially end up being the best to carry out", Harris catches the transformative power of practice and expedition in efficiency. Tunes that at first appear mundane may reveal hidden depths or technical challenges that become rewarding and fulfilling through much deeper engagement.

In general, Harris's reflection uses insight into the dynamic process of artistic appreciation and performance. It stresses the importance of time, experience, and expedition in uncovering the layers and richness of musical comedy, meaning a personal and professional journey marked by discovery and development.