"I moved to LA and decided to do films and television, mainly because the theater in New York is totally dead"
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In this statement, Shirley Knight expresses her motivation for transitioning from theater to film and television by highlighting what she perceives as the decline of the theater scene in New York. The phrase "the theater in New York is totally dead" recommends a sense of frustration or aggravation with the state of the theatrical arts in a city historically renowned for its dynamic theater culture, a center for Broadway and various off-Broadway productions.
Knight, an accomplished starlet understood for her comprehensive operate in both theater and movie, suggests a practical profession decision by moving to Los Angeles, a city associated with the film and television industries. This relocation suggests a shift in focus to the more commercially viable and artistically dynamic chances she perceives within the screen industries. Los Angeles, with its myriad of studios and production companies, represents the center of the home entertainment world, providing an array of possibilities that Knight discovered more alluring or fulfilling than what was readily available to her in New York theater at the time.
Her use of the term "totally dead" could also show a more comprehensive commentary on the obstacles facing live theater, such as monetary restrictions, the rise of digital entertainment, or moving audience interests. It suggests that at the time of her decision, she may have discovered the chances for advancement, development, or artistic satisfaction in New York theater lacking compared to those readily available in film and television.
Furthermore, Knight's remark might mean a transformative period in the entertainment landscape, where standard forms of media like theater are being eclipsed by the booming film and tv market. This quote encapsulates a personal profession choice affected by external cultural and economic elements, underscoring the effect of market forces on artistic direction.
Her decision may also be rooted in a desire for wider reach and influence, as film and tv have the potential to engage a global audience, providing a platform for stars to get considerable recognition and recognition beyond the more restricted reach of phase efficiencies.
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