"I play loud onstage for my own benefit as I like. But I'm not too fond of the P.A. either"

Kerry King's declaration, "I play loud onstage for my own benefit as I like. But I'm not too keen on the P.A. either", provides insight into his personal approach and philosophy towards live performances. As a distinguished guitar player known for his work with the whip metal band Slayer, King's method is deeply ingrained in the genuine, raw experience that heavy metal music supplies.

The first part of the quote, "I play loud onstage for my own advantage as I like", suggests that King sees the act of performing more as a personal expression than simply a responsibility to amuse. The volume is not simply an attribute of the genre however an element that boosts his connection to the music. For King, playing loud is about immersion, allowing both himself and the audience to feel the power and energy of the music viscerally. This loudness becomes an intimate part of the efficiency, blurring the line in between artist and audience through sheer acoustic force.

The latter part, "But I'm not too fond of the P.A. either", uses a critique or an expression of ambivalence towards modern sound amplification systems, which are crucial in live efficiencies to job sound to big audiences. King's choice to play loud straight from his devices rather than relying on the public address (P.A.) system could imply a desire for pureness in sound. He might feel that P.A. systems, while necessary, can sometimes interfere with the credibility of the live sound by modifying the tonal quality or dynamics that are best revealed naturally through the amplifiers on stage.

King's quote, in essence, catches a stress in between technological enhancement and genuine musical experience. It highlights his dedication to a form of musical expression that focuses on individual and direct engagement with the audience over mediated or extremely processed noise. This point of view is emblematic of a wider principles within rock and metal music, where authenticity, raw energy, and direct interaction of emotion frequently take precedence over technical excellence.