"I really just wanted to play the drum set and match that. I was never really into the percussion thing"

In this quote, John Otto, a musician most well-known for being the drummer of the band Limp Bizkit, reveals a preference and individual passion for playing the drum set over other percussion instruments. His statement shows a common sentiment amongst musicians who feel a natural draw towards a specific instrument, typically directed by individual affinity and fascination. Otto's comments can be viewed as highlighting the specific nature of musical interest and expression.

To start with, Otto highlights his devotion to the drum set, recommending an intimate connection with this instrument that maybe he did not feel with other kinds of percussion. The drum set uses a large range of expressive potential, with its mix of cymbals, snares, toms, and the bass drum permitting intricate balanced patterns and musical creativity. It is this flexibility and dynamic potential that may have interested Otto, fueling his enthusiasm for the instrument.

On the other hand, his declaration about not being "into the percussion thing" suggests a difference he makes between conventional percussion instruments and the drum set. Percussion usually consists of a broad classification of instruments such as congas, bongos, marimbas, tambourines, and lots of others, which are typically made use of in a variety of musical genres. Yet, Otto's focus stayed mostly on the drum set, a sign of both his musical identity and the particular noise he wished to develop and master.

Moreover, Otto's quote can be translated as a reflection of the more comprehensive principles in rock and metal music where the drum set serves as an essential foundation, offering rhythm and energy that drive the musical experience. In these categories, the drum set is not merely an accompaniment however an important component of the noise, possibly explaining why Otto, immersed in such a musical environment, felt a more powerful pull towards it.

In conclusion, John Otto's statement is a testament to the personalized nature of musical affinity, the function of the drum set as an essential part of rock music, and the method private artists discover their unique voice within the multitude of readily available instruments.