"I refuse to confide and don't like it when people write about art"

The quote "I refuse to confide and don't like it when people write about art" by Balthus exposes a complicated relationship in between the artist and the interpretation of art. Balthus, a painter known for his enigmatic and controversial works, suggests through this declaration a purposeful detachment from the public's analysis and analysis of his art.

Firstly, the refusal to "confide" suggests a desire for personal privacy and possibly a belief that individual discoveries are unnecessary and even destructive to the gratitude of art. By keeping personal anecdotes or insights into his imaginative procedure, Balthus highlights the concept that art must stand on its own, without the requirement for explanatory narratives. This technique suggests that the artist sees the role of art as existing beyond its creator, welcoming audiences to engage with it subjectively instead of through the lens of preconceived notions or the artist's individual life.

The latter part of the quote, "do not like it when individuals blog about art", recommends a hesitation or displeasure of art criticism and literary interpretation. Balthus may be wary of how writing about art can often cause oversimplification, commodification, or misunderstandings about the work's real essence. Critics and writers may impose their analyses, potentially eclipsing the audience's individual experience and understanding. This point of view lines up with a more purist view of art, where the psychological or sensory action it stimulates in the audience is prioritized over intellectual dissection.

Additionally, Balthus's statement highlights a stress between artist and audience, raising questions about the ownership of meaning in art. By voicing his annoyance with discussing art, Balthus supporters for a more personal, visceral connection with art, one that transcends words and analysis. This viewpoint motivates people to experience art on their terms, devoid of the boundaries of articulated critique or interpretation. Eventually, Balthus calls for a direct, unmediated engagement with art that honors its intrinsic ambiguity and power.