"I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer"

In this quote, filmmaker Philip Kaufman discusses his method to storytelling through making use of close-ups in a movie. His choice shows a purposeful effort to enhance the narrative's psychological and mental depth. The film seems to revolve around a dual secret including the protagonist, a female character, who is taken part in both a reflective journey and an external examination.

The "dual mystery" discussed recommends a layered narrative structure. On one level, the lead character is sifting through her "haunted past" looking for truth. This suggests an individual, internal conflict where the character is challenging previous experiences or memories that have left a considerable effect on her psyche. Such a journey often involves emotional revelations and the reconciliation of one's identity with past occasions. It suggests styles of memory, trauma, and self-discovery-- an introspective excavation that needs vulnerability and guts from the character.

Simultaneously, there's an "external mystery" that moves the plot forward. She is not only introspecting however likewise browsing through external hints and scenarios that might link her participation as a prospective suspect in a criminal offense ("she might be the killer"). This external difficulty drives the narrative stress and suspense, as it presents immediate, tangible stakes and prospective transformations in how the character is viewed both by herself and others.

The frequent usage of close-ups in the film accentuates this double journey. From a cinematic point of view, close-ups enable the audience to dig much deeper into the character's emotional state, recording subtle expressions that communicate complicated inner thoughts and sensations. The close-up's intimacy promotes a connection between the audience and the character, making the lead character's internal and external struggles more instant and individual to the audience.

Kaufman's intent likely lies in utilizing these visual methods to evoke empathy and engagement, engaging the audience to end up being co-investigators in unraveling the secrets at both the heart and surface area of this character's journey.