"I think age is a very high price to pay for maturity"
About this Quote
Stoppard lands this line like a well-dressed punch: it sounds like a complaint about getting older, then reveals itself as a sly indictment of the bargain we’re told to accept. “Maturity” is supposed to be the reward, the polished end-state that redeems every awkwardness and mistake. He flips that piety. If maturity requires age as its entry fee, maybe the commodity is overrated - or the currency is cruel.
The phrasing matters. “I think” performs modesty while quietly asserting authority: the dramatist as reasonable observer, not preacher. “Very high price” imports the language of markets and negotiation, a Stoppard signature move. We don’t “become” mature; we “pay” for it. That transactional frame carries the subtext: what else gets surrendered in the purchase? Energy, spontaneity, risk, erotic chaos, the delicious permission to be wrong. Maturity begins to look less like wisdom than like a social credential bought with time and loss.
Contextually, Stoppard’s theatre is obsessed with the cost of knowing - the way clarity arrives late, after the decisive moments have passed. His characters often talk brilliantly while history, biology, or bad timing makes the joke on them. This line compresses that worldview into a single rueful quip: the mind learns to read the room precisely when the room is about to change, or when your body has started sending different messages.
It’s also an argument against the cultural fetish for “grown-up” seriousness. Stoppard doesn’t romanticize immaturity; he suspects the sanctimony of maturity. The laugh catches because it’s true in both directions: age can deliver wisdom, and it can just deliver age.
The phrasing matters. “I think” performs modesty while quietly asserting authority: the dramatist as reasonable observer, not preacher. “Very high price” imports the language of markets and negotiation, a Stoppard signature move. We don’t “become” mature; we “pay” for it. That transactional frame carries the subtext: what else gets surrendered in the purchase? Energy, spontaneity, risk, erotic chaos, the delicious permission to be wrong. Maturity begins to look less like wisdom than like a social credential bought with time and loss.
Contextually, Stoppard’s theatre is obsessed with the cost of knowing - the way clarity arrives late, after the decisive moments have passed. His characters often talk brilliantly while history, biology, or bad timing makes the joke on them. This line compresses that worldview into a single rueful quip: the mind learns to read the room precisely when the room is about to change, or when your body has started sending different messages.
It’s also an argument against the cultural fetish for “grown-up” seriousness. Stoppard doesn’t romanticize immaturity; he suspects the sanctimony of maturity. The laugh catches because it’s true in both directions: age can deliver wisdom, and it can just deliver age.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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