"I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form"

Anish Kapoor's statement reflects a nuanced understanding of the elaborate relationship in between space and type in the world of sculpture. In his view, a sculptor's role extends beyond simple adjustment of products and shapes, incorporating a profound engagement with the spatial context in which a piece exists. This point of view underscores the idea that a sculpture is not practically its physical dimensions or aesthetic appeal, but likewise about how it communicates with and changes the space around it.

Kapoor's work is known for its ability to modify perceptions of space, inducing viewers to reassess the environments they inhabit. By emphasizing spatiality, he acknowledges that sculptures can redefine or even create new spatial experiences. The relationship between an object and the area it inhabits can stimulate emotional responses, difficulty point of views, or elicit contemplation. In this sense, the "task of a carver" involves managing an interaction in between tangible forms and the unnoticeable, yet palpable dimensions of space.

Furthermore, Kapoor's focus on space suggests an artistic vision that values the voids and gaps as much as the strong forms. The unfavorable space, or the vacuum surrounding a sculpture, is as important to the piece as the product parts themselves. This method resonates with audiences on a sensory level and invites a dynamic interaction in between them and the artwork. It transforms passive observation into an immersive experience.

Kapoor's comment also implies that an effective sculptor should have an intuitive understanding of spatial relationships. This involves envisioning how a piece might populate area, how it will be viewed from various viewpoint, and how it will operate within its environment. Ultimately, Kapoor's insight uses a holistic approach to sculpture, one that harmonizes kind with the fluid, interstitial qualities of space, hence redefining the boundaries of art and its capacity to shape human experience.