"I think I've always been somebody, since the deaths of my father and brother, who was afraid to hope. So, I was more prepared for failure and for rejection than for success"
About this Quote
Hope gets framed here not as a virtue but as a liability, the thing that makes loss repeat itself. Amy Tan’s line doesn’t chase uplift; it anatomizes a survival strategy. After the “deaths of my father and brother,” she describes a psyche that learned to treat optimism like a trapdoor: if you don’t let yourself want too much, nothing can be taken away quite as violently. The bluntness of “afraid to hope” carries the emotional logic of grief, where the world has already proven it can rewrite your future without permission.
What makes the quote work is the inversion in its second sentence. Most people rehearse success in their heads; Tan rehearses failure. “Prepared” is a telling word: she’s not confessing to pessimism as mood, but to pessimism as discipline. Expectation becomes a kind of armor, a way to keep the body from being surprised again. Yet the real sting is the asymmetry she names: “more prepared…than for success.” That reveals how trauma can distort even good outcomes. Success arrives not as relief but as an unfamiliar climate, triggering suspicion, impostor syndrome, or the fear that the universe is about to “correct” the anomaly.
In the context of Tan’s work and public persona, the statement also reads like an origin story for a writer: a person who turns anxiety into narrative control. If life can reject you, the page at least lets you anticipate the blow, shape it, and survive it sentence by sentence.
What makes the quote work is the inversion in its second sentence. Most people rehearse success in their heads; Tan rehearses failure. “Prepared” is a telling word: she’s not confessing to pessimism as mood, but to pessimism as discipline. Expectation becomes a kind of armor, a way to keep the body from being surprised again. Yet the real sting is the asymmetry she names: “more prepared…than for success.” That reveals how trauma can distort even good outcomes. Success arrives not as relief but as an unfamiliar climate, triggering suspicion, impostor syndrome, or the fear that the universe is about to “correct” the anomaly.
In the context of Tan’s work and public persona, the statement also reads like an origin story for a writer: a person who turns anxiety into narrative control. If life can reject you, the page at least lets you anticipate the blow, shape it, and survive it sentence by sentence.
Quote Details
| Topic | Fear |
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