"I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out"

In the quote by Thom Yorke, the lead singer of Radiohead, he reflects on the relationship in between music, media, and political discourse. Yorke recommends numerous interconnected ideas relating to how people engage with political ideas, specifically in the context of restricted access to traditional media and its dominant stories.

Initially, Yorke mean a gap in between traditional media and the public. He notes that there isn't "a great deal of access" to this media, which might indicate both physical gain access to and the ability to seriously engage with or trust these sources. This absence of gain access to might result from economic barriers, geographic disparities, or the distribution of media ownership which skews viewpoints.

Furthermore, Yorke deals with the idea of language-- specifically, the "language of traditional media"-- which might suggest that traditional media interacts in a manner that's either obfuscated or not easily absorbable by everybody. This might reference the dense lingo, predispositions, or perspectives that media outlets often utilize, which might alienate a portion of the audience.

On the other hand, Yorke proposes that music serves as a more available medium for political messaging. When music integrates lyrics with political styles, albeit "loosely", it can resonate better with listeners. This is partially due to the fact that music is a universal language, capable of going beyond the barriers that written or spoken media may erect.

Lastly, Yorke's point about people absorbing and then "spitting back out" these messages recommends a procedure of internalization and reinterpretation. When listeners engage with politically-charged music, they may embrace and reinterpret these messages in such a way that reflects their individual understanding and context. This cycle of absorption and reinterpretation highlights the democratic potential of music as a tool for political awareness and conversation, enabling varied audiences to engage with complex problems on their terms.

In essence, Yorke highlights the distinct power of music to assist in political discussion by bridging gaps where standard media might fail.