"I think TV is all about not turning off the public, it's about not being too sexy, not being too much of anything really"
About this Quote
In this quote, Kelly Brook highlights the often conservative and broad-appeal nature of television programming. Tv, as a medium, runs under the vital to bring in and maintain a large audience. This demands a specific level of caution in its content. Brook suggests that traditional television is crafted to prevent offending or pushing away viewers, which needs creators to stay away from anything too intriguing or severe.
The expression "not turning off the public" recommends that television manufacturers are highly knowledgeable about audience sensitivities and the potential for reaction if programming crosses the boundaries of popular taste or cultural standards. This can cause a type of self-censorship where content is carefully moderated to stay palatable to the broadest possible audience. The goal is to maintain viewers by offering material that is accessible and usually inoffensive.
Her reference of "not being too sexy" underscores the idea that pushing boundaries, especially in terms of sexuality, might risk alienating certain demographics. Tv typically shows and enhances societal standards, which can lead it to provide a sanitized variation of reality that avoids debate. This can restrict innovative expression, constraining programs to familiar themes and storylines that do not provoke strong reactions.
Furthermore, "not being too much of anything actually" suggests a basic moderation in material. Drama, humor, and even educational material are generally crafted to engage without overwhelming. This balance is critical due to the fact that extreme strength in any instructions might disenfranchise segments of the audience. Tv networks and producers typically focus on content that is safe and valuable over that which may be groundbreaking or avant-garde.
In summary, Kelly Brook's quote clarifies the careful nature of television production, where the danger of alienating viewers drives a tendency towards small amounts. This reflection welcomes a wider dialogue about the tension in between innovative expression and mass appeal in media production.
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