"I want the score to have a really big voice"

Mike Figgis, a prominent filmmaker and author, is understood for his unique method to integrating music with movie. When he states, "I want ball game to have a really big voice", he is highlighting his desire for the film's musical score to be a prominent, prominent element within the cinematic experience. This statement highlights the importance that Figgis put on music not just as a background element, however as an active, critical force that assists drive story and stimulate feelings.

In traditional filmmaking, ball game typically serves to complement the visual aspects, subtly underpinning the mood or boosting the atmosphere of a scene. However, Figgis's vision is more enthusiastic. By providing the score "a truly big voice", he aims for the music to serve as an equivalent counterpart to the discussion, acting, and visual storytelling. This technique elevates the score from an encouraging function to a main narrative tool that can articulate themes, highlight emotional beats, and even offer character insights or foreshadow events.

Figgis's choice to enhance the function of ball game can likewise be seen as a reflection of his background as a musician, giving him a special gratitude for the power of music in storytelling. This point of view encourages audiences to listen actively to the score, recognizing it as a dynamic entity that can exceptionally influence their analysis and emotional action to the film.

In addition, Figgis's declaration may likewise speak to his collective process. By highlighting ball game's voice, he's advocating for an environment where composers are granted creative liberty and considered important partners in the filmmaking procedure. This approach fosters development and can cause more remarkable and impactful films where music and image are in perfect harmony.

In essence, Mike Figgis's quote embodies a holistic vision of filmmaking where music is not simply an accompaniment but an important character in its own right, capable of forming the story's psychological and intellectual landscape.