Nastassja Kinski's quote, "I wish to do movies but not speak about them", shows a nuanced viewpoint on the nature of creative creation and public discourse. This statement can be analyzed in a number of methods, clarifying the various elements of an actor's relationship with their work and the outside world.
Firstly, this quote might show Kinski's choice for the creative process over the promotion and media commitments frequently connected to film projects. Lots of actors discover extensive satisfaction in the experience of bringing a character to life; the practice session, collaboration, and raw creativity involved are deeply satisfying. For such artists, the actual procedure of acting is an intimate and individual journey that differs from the subsequent promotional activities where they need to go over and dissect their performances.
Additionally, the declaration suggests a desire to maintain a degree of separation in between the artist's personal and professional lives. Publicity and interviews typically require individual access and insight from stars, turning them into public personas beyond their on-screen characters. This can be stressful and intrusive, interfering with the purity of their craft. For Kinski, the preference might be to let the work itself communicate and resonate with audiences, without the story being shaped or constrained by the artist's commentary.
The quote can likewise indicate a belief in the power of movie theater as a visual and emotional art form that must stand alone and stimulate sensations and thoughts separately of the creator's objectives. By decreasing to describe or discuss her films, Kinski may be advocating for audience interpretations that aren't influenced by her viewpoint. This method appreciates the audience's ability to engage deeply with the product, creating varied individual significances and conversations.
In summary, Nastassja Kinski's desire to "do films however not speak about them" most likely talks to her prioritization of the imaginative procedure over external recognition and interpretation, her desire for privacy, and her regard for the audience's experience in communicating with her work.
